​HAIKU RESOURCES:

DEFINITION OF HAIKU
by Michael Dylan Welch
http://sites.google.com/site/graceguts/essays/a-definition-of-haiku

BECOMING A HAIKU POET
by Michael Dylan Welch
http://sites.google.com/site/graceguts/essays/becoming-a-haiku-poet

HAIKU . . . UNDER THE BEDSHEETS: JUXTAPOSITION AND SEASONAL REFERENCE
by Michael Dylan Welch
http://sites.google.com/site/graceguts/essays/haiku-under-the-bedsheets

BARE BONES SCHOOL OF HAIKU 
by Jane Reichhold
http://www.ahapoetry.com/Bare%20Bones/bbtoc%20intro.html

HAIKU TECHNIQUES
by Jane Reichhold
http://www.ahapoetry.com/AHI%20tech%20art.html

SENRYU RESOURCES:

THE DIFFERENCE BETWEEN HAIKU AND SENRYU
by Michael DyLan Welch
http://www.graceguts.com/essays/the-difference-between-haiku-and-senryu

EVERYTHING YOU ALWAYS WANTED TO KNOW ABOUT HAIKU AND SENRYU
BUT WERE TOO BUSY TO ASK
by Michael Dylan Welch
http://www.graceguts.com/essays/everything-you-always-wanted-to-know-about-haiku-and-senryu-but-were-too-busy-writing-to-ask

SENRYU AND KYOKA RESOURCES:

SENRYU AND KYOKA
by Terri L. French
https://prunejuice.wordpress.com/senryu-kyoka/

TANKA RESOURCES:

http://www.tankaonline.com/
http://www.tankasocietyofamerica.org/essays
http://www.graceguts.com/essays
http://atlaspoetica.org/?page_id=705
http://www.ahapoetry.com/tanka.htm
http://www.mandys-pages.com/poetry/discussion/166-tanka-quality

HAIGA AND TANKA ART RESOURCES:

    For haiga or tanka art to be highly effective, the poem or artwork should not simply describe the other. Rather, both should work together to create a new or deeper experience which may not be achieved by either of them alone. As Linda Papanicalao, editor of Haigaonline, says, "every artist works towards the same goal – an art that’s more than the sum of its parts". 
     Here are some helpful articles:

HAI + GA: EXERCISES IN LINKING TEXT AND IMAGE
by Linda Papanicolaou
http://www.haigaonline.com/issue8-2/workshop.html

HAI + GA PART II: RENKU-STYLE LINKING IN HAIGA
by Linda Papanicolaou
http://www.haigaonline.com/issue11-1/issue11-1.html

HAI+GA PART III: WRITING IN ITERATIVE OR CAPTIONAL STYLE
by Linda Papanicolaou
http://www.haigaonline.com/issue12-1/issue.html

PUTTING THE "GA" AFTER THE "HAI" 
by Neal Whitman
http://www.haigaonline.com/issue10-2/issue10-2.html

STARLIT MOUNTAIN—HOW WHITE SPACE AND IMAGINATION WORK IN HAIGA by Jeanne Emrich
http://www.haigaonline.com/issue9-1/feature.html

CREATING HAIGA IMAGES: SOME CONSIDERATIONS ABOUT TEXT DESIGN by Ray Rasmussen
http://www.haigaonline.com/issue9-1/feature.html

CHERITA RESOURCES:

​ORIGINS
http://www.thecherita.com/origins/

THE CHERITA AND THE GOLDEN SPIRAL
http://www.thecherita.com/articles/

THE CHERITA GUIDELINES
http://www.thecherita.com/articles/